From My HEAD To Yours

Let me start by saying, I didn’t dislike Man of Steel. However, if I saw one more concrete explosion or punch through a wall I would’ve come close. Zack Snyder’s version of Superman is about as good as such a fantastic character’s origin story can be. In other words, you’re asked to buy-into a lot as a viewer. I enjoy sci-fi/fantasy, but even so, was shocked with the open of Man of Steel. From the flashy costumes to the giant flying bugs, I was unimpressed with the Attack of the Clones-ish vibe. Fast-forward past the dull vagabond Clark Kent sequence and the movie starts to find itself. Once a stellar Henry Cavill transitions from Clark K. to Kal-El and starts to embrace (or unleash) his superhuman abilities the film becomes quite fun. This is likely because Snyder is able to go all… well, Snyder on it. There are great performances (Crowe/Adams) sprinkled amongst few surprisingly not so great (Shannon). The first few action sequences are awesome before being recycled and growing tired. Overall, I feel confident Warner Bros. was able to build a foundation on which to build, but lets hope a sequel achieves more. Again, it was fun and solid, but not super. I fear its most outrageous accomplishment was making Diane Lane unattractive. 

Well, this looks fun. #TheWolfofWallStreet #trailer

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Holy crap balls… how good does this look?! #ShortTerm12 #trailer #movienews

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No. Corners. Cut. Watch this #PacificRim Robot Featurette. #movienews

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Although The Way, Way Back’s story and characters are robust, and not to mention creatively cast, there are drawbacks that can only be pinned on first time directors, Nat Faxon and Jim Rash. I left questioning how such an incredible cast could’ve resulted in such overacting. Though, in fairness, some of the character development could’ve demanded it. The only performance I found spot on was Sam Rockwell’s lackadaisical, Owen. It was achieved as though he approached the role… well, lackadaisically. Also, the ability to make you despise Steve Carell in only 103 minutes, is commendable too. 

The Way, Way Back is not a flop. As mentioned, the content is there and unfortunately, it’s content that too many can relate to. You should see it if you enjoy coming-of-age stories that tug at the heartstrings. And I do have hopes for Faxon and Rash. I can’t wait for them to come of age too. 

Uh, seriously, guys… for realz! #PacificRim #movienews

Yeah Yeah Yeahs’ #Mosquito drops today. Get it while it’s fresh. It’ll be a blood-suckingly good time! @YYYs #newmusic

I can’t stress how badly I want to see this. Also, watch the #trailer in HD because @AlisonBrie is in it :) #thekingsofsummer #movienews

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Danny Boyle, unsurprisingly showcases his brilliance with his latest effort, Trance. A film unfolding so quickly that it’s slightly distracting. However, it doesn’t take long before realizing that Boyle is hypnotizing you too. While all aspects of the production: direction, score, set design, etc. can be praised, it’s the work of DP and Boyle collaborator, Anthony Dod Mantle that is to be commended. Mantle does such a fantastic job shooting that you are quickly captivated and enthralled throughout. Filming through glass and a provocative neon glow results in distorted images that leave you questioning whether you’re in a conscious state. The well-written twists that Trance provides leaves you on the edge of your seat, while the pacing leaves you fearful to blink. Finally, the performances under Boyle’s direction are great. Not shocking, as Cassel, McAvoy, and Dawson rarely achieve less. So, see Trance and concede to Boyle’s intent… leave in blissful reverie. 

This is hypnotizing and absolutely stunning. Renan Ozturk’s 2013 DP reel. 

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